Museums

Today's muse is an ode to museums on occasion of International Museum Day. A museum is a building that refuses to forget. Civilisations fade, languages die, and ways of living get paved over. The museum puts a roof over what remains.

Humans collect for two reasons: evidence and longing. Proof of the past, of the things invented, of the battles fought. Longing because every exhibit is a world that is lost to us or is on the way out. 

Museums are born from an innate human drive to preserve, understand and share our collective memory. They are driven by a desire to educate the public, celebrate cultural identity, and protect historical artifacts from being lost to time.

Museums are about the choice to display, to showcase, to label... a choice about whose story gets a room. The British Museum holds the Parthenon Marbles; Greece holds the empty space where they stood. Both are museums now: one of objects, one of absence. 

The museum exhibits chronology so we can see patterns of how our ancestors lived. It is the only place where you can watch the Stone Age end and the Space Age begin in thirty steps. We look, we read the text, we listen to the narrator. We revisit the past.

However a good museum is not a mausoleum. It is about the past we want to hold on to. Good museums let things breathe: rotating exhibits, living artists, community curators, repatriation. It is about a continued conversation aiming to retrieve, restore and refuse to forget.

Was the past perfect? No! But there are lessons to be learnt. To do the things that were right and to learn from the things that were wrong. The museum can be our talisman to learn the right lessons. 

They relive the past, unlike the dead mausoleum 

The present is grateful to the lovely museums!

~ Pravin K Sabnis

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Mango Man

'Mangoes and Meanings' is an interesting exhibition (upto 14 June) at Museum of Goa. Interesting stories come from displayed mangoes, stuff made from them and art inspired by the king of fruits. One such story is of India's Mango Man, Kalimullah Khan featured in a painting put up at the exhibition.

He lives in Malihabad, Uttar Pradesh - India's mango belt. On his family farm, he grafted over 300 different varieties of mangoes onto a single 120-year-old tree. Each branch gives mangoes with different taste, texture, color and size. He calls it 'the biggest mango college in the world'.

He dropped out of school after 7th standard and started experimenting with grafting at age 17. His first attempt produced 7 varieties, but that tree was destroyed in a storm. Since 1987, he's been working on his famous 120-year-old tree. 

In 2008, the Government of India awarded him Padma Shri, for his work in horticulture. He is over 82 years of age and still walks to his tree every morning at dawn. He says, 'people will come and go, but the mangoes will remain forever'.

In Hindustani lingo, the common man is called 'aam aadmi'. 'Aam' also means mango and has become reason for the inspiring success of a common man called Kalimullah Khan who backed his dream with continuous commitment.

Passion backed by perseverance will take you far

India's Mango Man shows the way to be a star

~ Pravin K Sabnis

 

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Hurt Sentiments

'My sentiments are hurt' has become the default trend of public discourse. Even private, emotional reaction is now a public claim that demands institutional response, legal protection and social deference. 

The phrase now implies that feelings are fragile possessions that can be damaged by words uttered by the 'other', as if it were a personal wound. In communities with deep historical and cultural divisions, this wound is amplified. 

The consequence is a growing demand for restrictive boundaries around expression. The law in many countries places limits on speech that intentionally insults religion, race or community sentiments.

Yet the criterion of 'hurt sentiments' is inherently subjective. One person’s satire is another person’s sacrilege. One group’s reclaimed symbol is another group’s insult. Once hurt becomes the threshold for action, it creates a moving target where the most easily offended set the limits for everyone else. 

This shifts power from reasoned debate to emotional reaction, and from criticism of ideas to protection of identities. Over time, it can stifle art, scholarship, humour and dissent, because almost any idea can be framed as offensive to someone.

In the end, sentiments being hurt reveals something fundamental about modern life: we want both absolute freedom and absolute safety from discomfort. The choice a society makes about where to draw the line determines whether it remains open to truth and beauty, or settles for silence in the name of peace.

Whether hurtful offense or mere disagreement

Society needs to move beyond hurt sentiments!

~ Pravin K Sabnis

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